Showing posts with label breasts. Show all posts
Showing posts with label breasts. Show all posts

Saturday, September 29, 2007

The Chip Dale Story: Chapter 1 continues...

Chapter 1 continues...
(WARNING CONTAIN EXPLICIT SEXUAL DETAIL)

I, of course, survived the dream long enough to make it a reality. At sixteen, I entered the local community college where I began to study to become a geologist. It wasn’t that I had any serious ambitions to work with rocks – or at least not of the sedimentary, igneous or metamorphic varieties – but I had to do something for the two years before I’d be allowed to strip for a living. The way I saw it, the local college's geology course gave me chance to indulge the passion for the countryside I’d enjoyed since I’d been a child. I loved to wander the Welsh hills with my geologist’s hammer in my hand and a knapsack on my back. And in the summer, I’d strip off down to my thong, which I’d taken at the relatively young age of fifteen, and worked hard hammering away on cliff faces. That’s how I first began to hone the physique that has served me so well. I can’t recommend it enough. Looking for geodes, ammonites, and pre-Cambrian trilobites is the finest way a young man can get the body of stripper.

Yet my sixteenth year was so very frustrating to me and my seventeenth birthday the hardest day of all. I still had another year before I would be allowed to dance professionally. Little did I know that the year would prove to an ideal way into the trade. It would prepare me in ways I would never have anticipated.

I was working out in the Bangor countryside one day in the middle of summer. I had found myself a particularly nice stretch of metamorphic shist in a quarry I’d often visit and I’d stripped off and had been working the rock face hard to see if I could find some particularly large minerals so I might test their hardness according to Moh’s Scale. I’d just found a pretty big garnet when a voice hailed me from high above the cliff.

‘I say? Excuse me? Young man? Could you give me a hand?’

Good natured if perhaps a little naive, I dropped my hammer with my backpack and clad only in my thong I climbed the rocky bank. At the top, I found a lady sitting in the shade of a Welsh Tourist Board monument marking the spot where Tom Jones’s uncle had taught the boy to sing.
The woman was of the typical raven haired buxom type you usually find in Welsh quarries at the height of summer. Only this one diverged from the norm by being on the heavy side of thirty and had a bold design of a peacock tattooed on one of her magnificent breasts.

‘I’m so sorry to take you away from your rocks,’ she said, shielding her eyes from either the glare of the sun or my sweating body which was just as bright. ‘My name is Flora, like the flowers. And I seem to have got myself stuck on this here statue.’

‘I can see your problem, Flora,’ I replied, having quickly worked out the woman’s predicament. ‘Your underwear has become trapped on Mr. Jones’ pick. If you’ll allow me, I’m sure I can release you in a thrice.’

‘A thrice?’ she smiled. ‘How quaint. Such a nice word and such a nice boy. I’d be most grateful.’
I caught her glancing at my thong but since it was one of the finest that money could buy, I didn’t think much about it at the time. Nor did it occur to me until many years later that if she had got herself tangled on Tom Jones’ uncle’s pickaxe, she couldn’t have seen me below the edge of the cliff. Nor could she have known that I was a young man. But faced with raven haired buxom peacock-tattooed women, a young man tends not to think rationally. I certainly didn’t think rationally as my fingers took hold of her strap and I began to work it free of the head of the pick.

I blame my innocence that I didn’t fully understand the mechanical operation of female underwear at the time. In these more enlightened times, the British Stripping Union tests you on these things but, back then, as a young Tom Jones gazed on, I yanked too hard and suddenly the whole of my life changed in one glorious moment of understanding.

‘Oh dear!’ gasped Flora as the strap to her underwear fell away and she became as abundant as nature and three times as pink. And do I hear you ask about nipples? There were certainly nipples. In fact, two of them, as large as the tins to Fray Bentos chicken pies.

‘I’m so sorry,’ I said, trying to avert my gaze but, not knowing what I was doing, trying desperately to push her breasts back into her dress. She unfortunately misinterpreted my actions as being what is now known as ‘a come on’. She grabbed me and dragged me to the floor.

‘You did that on purpose,’ she said, thrusting her lips to mine.

I tried to squirm free. ‘I did not,’ I promised her. ‘There seemed to be some kind of hooks that came loose when I tried to pull you from your entanglement on Mr. Jones’ pick.’

‘You can entangle me any day,’ she replied as she went for my thong.

‘Steady there!’ I cried, trying to move out of her grasp.

‘Don’t you want to come closer?’ asked Flora.

The question left me a little confused. I’d come out that morning looking for hard Welsh shist yet I had found yielding female flesh which I didn’t figure on Moh’s scale of hardness, not even below talc and gypsum. I looked up at the young Tom Jones but he just gazed back at me, his loins tight in their copper stretch pants.

‘Or do you think it’s wrong for a woman with needs to seek out a man with such a magnificent body?’

‘Well,’ I replied. ‘It’s not unusual…’

And there, on that sacred spot of Welsh history, I fell under the spell of a hot musk on a summer’s day in Wales.

I never touched my geologist’s hammer again.

+++

Of my first sexual encounter, I think there’s little need to dwell any more. I would get to know Flora Betteridge quite well over the following months. It was Flora who introduced me to the North Wales stripping circuit. It turned out that she was herself stripper of some note and had found moderate fame for her novelty act involving a Burmese python. She had been at the quarry that day collecting sand for a Cleopatra’s Asp routine that was her trademark.

Flora had been working in the stripping business nearly fifteen years when I met her. In that time, she had removed her clothes in ever corner of the world and jiggled for potentates and princes. She told me that her python has almost as many air miles as Michael Palin but I’m sure Palin hasn’t been to some of dark places her snake had visited. It was Flora who first introduced me to the professional side of exotic dancing and it was she that first gave me tips that have been handed down through generations of strippers. It was Flora who first explained to me the secrets of the stripper’s art.

The experience that’s perhaps worth recounting in full is the first time I shaved south of my navel.

‘You must be smooth down there,’ said Flora one day after I’d sat in a coffee shop and explained how I intended to be the best male dancer that Wales has ever seen. ‘Chip, you must do more than take pride in your body,’ she said. ‘You must learn to groom it. There’s no point in it looking like a wig makers funeral down there.’

I didn’t quite understand the reference myself, as male grooming wasn’t something I’d ever given much thought to. In those days, men were hairy where it counted and like all true Welshman, I took my lead from the Tom Jones whose body had never seen a razor.

‘But Tom keeps his clothes on,’ explained Flora when I mentioned this fact. ‘If you want to succeed, there must be no hair down there. No male stripper has ever succeeded by leaving himself with a Rod Hull.’

A Rod Hull, I should explain, is what strippers in those days called unshaven testicles.

‘Not even a small one like a moustache?’ I asked.

‘Certainly no moustache,’ she said. ‘Do you want women to swoon or point out that your Rod Hull looks more like Tom Selleck?’

Later that day, I could barely sit down on my Telly Savalas. But I had learned a lesson the hard way. Aftershave was never meant for those parts.

Flora had laughed when I told her about my first attempt at male grooming but I owe her so much of my success for putting me straight. She introduced me to creams and lotions that would do the job just as well. But for a few painful hours, I had thought my dreams had come to an end with a single splash of Old Spice.

Monday, April 02, 2007

Stop Spamming Me, Miss Austen!

Does it really matter if something is fake these days? Isn’t it enough that something looks real and, more importantly, feels real? I'm beginning to think we should give up trying to seek the authentic. That's ‘old school’ reality. The new reality is as warped as anything found in a Philip K. Dick novel. Even my fingertips tell me what the advertisers want me to feel.

This morning, I was in Bangor's main shopping centre when I went to pop a child’s bubble that had come floating my way down the escalators. I poked at it with my finger, waiting to feel the delicious spray of cool soap fall across my hand, only to see the bubble bounce clear away. I’m embarrassed to say this but I couldn’t live with the disappointment. I couldn’t handle the rejection. So, I chased it. I chased that bubble right across the shopping centre, poking it every couple of steps and finding that it just wouldn’t pop. In the end, I had to ask a security guard to help me corner it by Woolworths where I finally managed to stamp on it, which wasn’t a satisfying end at all. But that’s what happens when reality goes awry. It took me a time to understand that this was an unpopable bubble. There should be a law against such things.

As you can see, I’m now home. Or at least I think I’m home. It’s easy to get confused when you’ve spent a morning with the fakers, the frauds, the charlatans, the insecure, and the existentially indistinct. It’s all been quite dispiriting and I can’t get breasts and bubbles out of my mind. Breasts, bubbles, breasts, bubbles. All I can think about are breasts and bubbles.

Before you ask: you’ll understand my breast fixation soon enough. Just give me time to consider if W.H. Auden ever had such problems with reality. Did he write any poems about breasts or, indeed, bubbles? I’m not sure I’ll ever know.

You might recall that I’d gone out this morning to purchase a volume of his shorter poems. In the end, I decided against buying it once I saw how thin it was. I’ll stick with my English Auden and see how I get on with that. I instead plumped for a complete collection of Wallace Steven’s verse that was tempting me from the top shelf. Mrs. Rust mentions Stevens as a text for next year but I like to be prepared. It’s a bit of a thick volume and I don’t know where to begin, but years of working as a stripper means that I’m a sucker for peeling the cover off a fine looking book.

And it was a handsome volume and in hardback too. In fact, it was so handsome that it put me in the mood to browse some more. That's why I stopped off at W.H. Smiths, intending to spend the last of the tips that had been pushed down my thong last Friday night. And that’s when I began to get seriously confused.

The magazine was stacked next to this week’s issue of The Economist. ‘When Breasts Escape’ proclaimed its headline, printed in the sort of font I really wanted to fondle. I don’t know what happens when breasts escape because I didn’t buy the magazine but it’s been a problem I’ve been considering ever since. So what exactly happen when breasts do escape? From where, exactly, do breasts break out and can we ever say that breasts have truly escaped? If so, what disguise do they adopt? Does it involve trips over the Alps and into Switzerland? And why did Gordon Jackson say ‘thank you’ to that Gestapo officer when he wished him well in English? Okay, I’m really getting a bit confused. There weren’t many breasts in The Great Escape, were there, though I seem to remember Charles Bronson looking quite buxom…

I know now that the headline struck me because it reminded me of a poem we’d read in this week’s FE class. It contained the lines:

And the whole earth would henceforth be
A wider prison unto me

The headline made me began to see what the poet had been saying; that escape is relative. A breast may escape one constricting factor but it is always bound by another, until, ultimately, it must face the fact that it cannot escape being a breast. Simple enough, you might think, but I’d also noticed that the breasts on the cover of the magazine weren’t real. I was in tricky philosophical waters. Did some breasts escape breastdom by becoming fake breasts? Or had they redrawn then boundaries of the language which imprisons them?

All confusing, I’m sure you agree. And that’s before I hit another patch of troubling philosophical waters in the form of Roger Waters.

Abandoning my book buying, I’d walked back to the car, a trip that took me past the local theatre who were advertising a Bee Gee tribute band. Apart from the fake beards, fake hair, fake tans, and a few orthodontic inaccuracies, they were the spitting image of the brothers Gibb. When I got home, I’d look them up on the internet and came across hundreds of tribute bands. My favourite title had to be ‘The Clone Roses’ but for their sound, the winner was Think Floyd.

Think Floyd sound quite like Pink Floyd. They sound like the band on a night when Waters and Gilmour had probably argued over the Pringles. But it begs the question: does it really matter that Think Floyd – or ‘The Think’ as I like to call them – are not Pink Floyd? Do we really need the real Roger Waters now the classic songs have been written? In a way, Think Floyd are better than Pink Floyd. They won’t get tired of playing the classic tracks. They won't feel the need to change the key of ‘Money’ or give it a samba beat. Are the fake Pink Floyd like fake breasts? Are they closer to ideal they pretend to be?

I was beginning to see light. Perhaps fake things are good. Fake bubbles, fake breasts, and fake Pink Floyd.

And fake spam. I forgot to mention fake spam.

I got home to find more Japanese spam in my inbox. Japanese spam has lately been causing me considerable trouble. I can never bring myself to delete it. How can I to be sure it doesn’t contain something important? Of course, my normal spam is usually computer generated gibberish but there’s no way of knowing if this Japanese spam is from a fake Japanese. It might not even make sense in Japanese. So, is it Japanese email, Japanese spam, or fake-Japanese spam? I pondered this for a while. And then I received more spam. This time it wasn't in Japanese. It contained random extracts from Emma. It began ‘Such was Jane Fairfax's history’ and then had an ad for Viagra before -- how ironic -- jumping to the end of the novel and telling me about the chaste ending.

And suddenly, it all became so clear. My whole day made sense!

Since I’m no fan of Jane Austen, this email was actually a huge improvement over the original. It had everything that Emma doesn't have: a brief beginning, a bit of sex in the middle, and a brief ending. It could also be read in a single sitting without my wanting to open a vein. It was a sobering lesson. Fakes are so much better than the original.